'Conceptual continuity'

A usual drawing, fifteen years old:


But fifteen years later I create a CG-reproduction of this drawing.
Well, nothing special, but I was surprised, beacuse it's happen totaly unconscious.
I don't have view/remind the original drawing many years, but I have reproduce the same lines & construction, background, colors etc...:




*Sigh*, no real changes of style, subjects or technique the last three decades.

Edge of the world 2

Continue the 'Edge of the world'-series...

Then construction of two dozens Roger Dean-like floating islands in Bryce:


The reendered raw version:


Then the Photoshop afterwork:


The final version:

Edge of the world 1

Another long-life theme: the edge of the world.
Some rapid skteches in bryce with a swarm (~10-12) of floating island:


One pic tuned up with golden rays and clouds:

Ye-Me-Le 2

Some graphical works from this sunny weekend:

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e.g., an excerpt from a series "Ye-Me-Le":






The last version. Well, a little bit overdoned & metallic..

Füssen tweaked

Füssen.

Some planless, unfinished sketches for variations.
Not good enough to publish on flickr.







Neuschwanstein inverted & flipped.

Cloud tutorial 2

A cloud tutorial
Part 2: Grain & rain

The previous part is already okay, but for my taste the sky looks too clean, smooth & artifical. It should becomes more painterly and so we add a second cloud layer for raw grain and noise filter for fine grain

10a) Create a new empty layer; reset fore-/backgroundcolor to b/w; fill with Filter->Render->Clouds.
10b) Choose any blending mode with the most dramatic effect. (e.g. 'overlay 100%'):


11) And now the same steps 3a..5b like in the previous part:
Select 'Rectangular Marquee' with some soft edges;
Mark a half of the pic and stretch & skew it with Edit -> Transfrom -> Perspective
(In the example only the upper part)





12) Apply a color with Image->Adjust->Variations

13) Merge all layers.

You can repeat step 10-13 to get a more and more thick sky.

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Fine grain:
14) Duplicate the background layer. Select this new layer
15) Add noise with Filter->Noise->Add Noise with a quantity between 5 and 15:
16) Less bluring this noised layer.
17) Adjust the blending mode, till you get the most subtil shimmering haze. Zoom out pic to control the effect:

If all experiments unsatisfied, undo and redo step 14-17

18) Merge all layers and resize the complete pic to 200%

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Windy Rain:
19a) Create a new empty layer; reset fore-/backgroundcolor to b/w; fill with Filter->Render->Clouds.
19b) Choose any blending mode with the best dramatic potential. (e.g. 'overlay 100%'):


20) Image->Adjust->Equalize:


21) Filter->Blur->Motion Blur; e.g. a vertical direction and a high distance value:

(Instead of motion blur you can use any other disortion effect e.g. Filter->Disort->Wave etc)


22) In my example I delete the upper part with the up-going rain, adjust the blending mode and the color.
This is the final version:

Ye-Me-Le 1

Current series #1952; create with ArtRage:






Final version:

Cloud tutorial 1

A cloud Tutorial:
Part 1: The base cloud

Examples of use:



1) Start with a new small, sized empty pic (e.g. 800x800):



2a) Reset foreground/background color to b/w
2b) Filter->Render->Clouds:



3a) Duplicate layer (to cover possible holes while later stretching). Select this new layer
3b) Zoom out to 33% or less (e.g 25%)
4a) Select Tool 'Rectangular Marquee' with a double click; set smooth to a any value (e.g. 8)
4b) Select the upper half of the pic (not excatly the center line - set the horizon where you want..):



5a) Edit -> Transfrom -> Perspective
5b) Stretch and skew the selected part by the top edge:



6) Select the lower half of the pic
7a) Edit -> Transfrom -> Perspective
7b) Stretch and skew the selected part by the bottom edge



8) Colorize the cloud layer with Image->Adjust->Variations:



9) Merge all layers:



To be continued... ( 'Grain & Rain')